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Thanks for the series!
This has been - and I hope will continue to be - wonderful reading. I came into the trade during the transition from cold type to computer design, and was fortunate to work for a company that encouraged the "typies & pasties" to follow their work through camera, stripping and plate-making. It was invaluable experience. (And I learned to detest a favorite red sweater that shed onto my mechanicals!)
I disagree with your remarks about unions - after all, that was a union retirement facility pictured, right? In my experience business owners (I'm one, now) are rarely willing to concede benefits without some pressure being applied.
And yes, I work long hours and suffer every stress-related ailment known to humans. I think it's the nature of the business - and the knowledge that your errors will be permanently recorded for all time. Certainly web designers don't seem to have the same need for the companionship of dictionaries, atlases and biographical name lists!
Warm regards!
Peggy Coquet
I find this stuff fascinating
I'm usually wolfing down my lunch when I'm reading creativepro.com,so this article is particulary appropriate today. I mostly wanted to compliment Mr. Gable on his series about the history of our trade. I usually email these articles off to my boss who was working in the trailing days of hot type, and he gets a big kick out of them, too. Personally, I think that every person in the Graphic Arts should be exposed to the history of the trade, so they understand why some things are done the way they are. I've been a guest lecturer at a local art school, and many of the students have no idea of what working life was like before 1990, for example. It's good for these folks to find out how things were done, and how much easier the job is now.