Hot Stuff

Weekly Contest
FREE AKVIS Sketch!
CreativePro.com Podcast
Don't miss it! Updated every Monday.
FREE Mags for Creative Pros!
Creativity, Website Magazine, and more!
Bit by Bit: Gearing up for Panoramic Photography
In the first of two columns on panoramic photography, Brian P. Lawler serves up an introduction to the topic and shows you how to build your own QTVR camera mount.
Written by Brian P. Lawler on April 10, 2001
Related Articles
Related Reading
Build Your Own Mount
It's easy to make your own panoramic camera mount once you have chosen your camera and lens combination. I have made a number of successful camera mounts, each one better than the last. I have measured and tinkered, and made a few guesses (it's nearly impossible to measure the exact nodal point of a lens that is inside the body of a 1.25 inch thick camera). My first few mounts featured sturdy rubber bands to hold the camera in place while I ran field tests; tripod screws would come later.
I dubbed the QTVR mount I took to India in 1997 as the Mark I. It was a featherweight mount made of two small blocks of clear fir and a small piece of plywood. The design has evolved over the last few years, but the basics are the same.

The Mark I, mounted here on a precision Kaiser ball-level. Originally I used the Mark I with a standard tripod marked for rotational positions.
To build your own QTVR head, you can begin with the plan I show below. The distance from the vertical portion of the mount to the hole in the bottom portion should be the distance from the bottom edge of the camera to the center of its lens. Dimension A should equal the distance from the side of the camera that will be in the down position to the center of the tripod mounting hole on the camera's bottom panel. The offset of the mounting hole C (the pivoting point for the mount on the tripod) from mounting hole A should be the difference between the nodal point for the lens (more on this in a moment) and the center of the camera's tripod mounting hole.

S QuickTime VR camera mount holds the camera vertically and so that the mount rotates about the optical center of the lens. (Illustration ©1997, Brian P. Lawler, from "QuickTime Virtual Reality how to make panoramic images," available here.)

The rotation point of the camera mount should be around the nodal point of the lens -- which is usually about half the length of the lens.
To connect the mount to the tripod head, I use a 1/4-20 brass threaded insert (available from mail-order woodworking catalogs) to create strong metal threads inside my wooden block. To connect the camera to the tripod at A, I originally used a 1/4-20 machine screw and nut from my coffee can full of such items (later I would substitute a wing nut, which looks much more professional).

A 1/4-20 brass threaded insert in the bottom of the amount provides a strong connection for the mount on the tripod head.
Finding the Nodal Point
One of the trickiest parts of planning your QTVR mount is determining the nodal point of the lens. An approximation of half the length of the lens seems to work very well, but I found a trial-and-error method that lets exacting types get it just right, though you'll need a good bit of patience and a camera with a through the lens (TTL) viewfinder to pull this off: Mount the camera on the panoramic mount on the tripod, and have somebody hold a broomstick or some similar object about a meter from the camera. Then looking through the viewfinder, rotate the camera on the tripod. You've found the nodal point when the broomstick no longer shifts left to right relative to the background as you rotate the camera on the tripod.











This is hardly 'news' -- it's the way things have been done for
This response is from my father, a longtime photographer and photofinishing expert: <<So, "Brian is finally ready to share his techniques with the world"? To that I would add "As has been done by numerous predecessors who have traveled that road in recent decades...." I'd guess that there are lots of innocents dabbling these days in the digital camera world who figger they're on the cutting edge of everything; that nobody before has ever tried doing whatever it is that they're up to. Yet the optical and photographic aspects of things have archives of history and hard-won lessons from others who have trod those paths in years gone by, available by a freebie phone call (e.g.,1-800:242-2424 for the Kodak Information Center). Don't know for sure, but I'd guess this specific question might even have a printed (Kodak) pamphlet addressing it, that'd be mailed in response to a simple request.>>
QTVR-a castly under-used technique, well-explained
The article does a very nice job of bridging beginner and experienced users of QT technology.
Tripod leveling base and specifics, please
Brian has written an excellent article.
I would like to know which leveling tripod and rotational base Brian used, and what others are using. I see a few commercial products that cost many hundreds of dollars. Anything less costly?
Addressing another's comments:
Sure, this info maybe available elsewhere but its easy to find here and well-written. He never claimed to be inventing the whole technology.
Thanks again for a good article and an excellent site.
Mitch Hull
Just one suggestion.
A terrific article on panarama shooting. Just one suggestion. When shooting a panarama, the camera's lens should be set at hyperfocal distance (I usually set it for the next more open F-stop to assure good sharpness). This practice, which is common with landscape photography works well in panaramas to allow forground objects to appear in focus.
These days in the digital
These days in the digital camera world who figger they're on the cutting edge of everything; that nobody before has ever tried doing whatever it is that they're up to. Yet the optical and photographic aspects of things have archives of history and hard-won lessons from others.very good stuff for sharing.radioblende