The international marketplace requires savvy publishers to create documents that span the globe, from Brazil to Denmark to the Ukraine to Japan. But until recently, producing multi-lingual files on the Macintosh meant buying separate copies of applications geared toward those regions. Moreover, limitations existed as to how many languages could be contained in one document and which localized applications could open files that included other languages.

No wonder multi-language publishers pulled their hair out.

InDesign eliminates many of these roadblocks. The combination of InDesign, Unicode, Mac OS X, and OpenType means that publishers can work with multiple languages in the same document and set type in both the horizontal of European alphabets and the vertical of East Asian characters.

Here to provide you with a tour of InDesign's linguistic gymnastics is Diane Burns, president of TechArt International, which has long been a leader in providing publishing services to East Asian markets. Diane -- referred to by her Japanese clients in the late 1980s as "DTP no ha ha," or "mother of desktop publishing" -- knows firsthand the difficulties of working with multiple languages and recognizes that an applications' ability to speak in many tongues is critical in the 21st century.

In this paper, presented at the 2003 InDesign Conference, Diane explains why InDesign is the right application for the global marketplace.

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