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The Art of Business: Profit from PDF?
There's no escaping Adobe Acrobat's Portable Document Format. But does it have the stuff to become your next profit center? And how can designers best exploit its potential?
Written by Eric J. Adams on October 27, 2002
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In the winter of 1877, a 29-year-old Alexander Graham Bell tried to sell the patent for his newly-discovered telephone to Western Union for a mere $100,000. At the time, Western Union held a near monopoly on the profitable and expanding telegram business and was one of the biggest corporations in the world. The executives at the company considered Bell's offer, but they politely passed because, they explained, they were in the telegram business not the telephone business.
As any business school professor will tell you, it was a error of colossal proportions, all because the executives at Western Union failed to understand they were in the communications business, and the telegraph was just a passing technology.
Misunderstood Format
Which brings us to Adobe Acrobat's Portable Document Format. Many designers have a love/hate relationship with this 800-pound gorilla. It's a great tool for disseminating information and improving team productivity, but, goes the conventional wisdom, it has undercut business for designers, simply because it allows non-designers to reuse content design and take control of many content management duties. A recent TrendWatch Graphic Arts study, which I wrote about in my last column, more or less confirms this.
This conventional wisdom is, indeed, true if you see yourself as a graphic designer in the business of page layout, Web design, and identity creation. But if you see yourself as an information designer, then PDF isn't so threatening.
In fact, some would argue that PDF and other dynamic content technologies represent the next big opportunity for creative professionals.
"Because Acrobat is different from most other Adobe applications, which are built for artists and designers, it has not been embraced as a designer's tool in schools and art departments. There is a large community of designers out there that still does not understand Acrobat as an application and PDF as a format," said Jeffrey Warnock, a project manager for the Adobe Press division of Adobe Systems.
As a result, designers haven't begun to understand the tremendous business potential of PDF and the slew of aftermarket PDF conversion and development tools.
"Although many [designers] have been creating PDF files, they probably have not fully embraced the post-production tools available to them, both in terms of learning the tools and in marketing their services around it." said Warnock.
Such transitions are never easy. In the '80s, for example, as DTP publishing became a reality, it took designers some time to understand and create collateral material directly on their computers. In the '90s, when the Web exploded, many of those same designers were forced to learn new skills, such as HTML, RGB output, navigational and interface design.
Today, a similar transformation is underway. "Today's technology shift is still around networks, but the move is toward the development of communication infrastructures through 'smart' formats and server-based technologies that make content and information reusable and available between workgroups," said Warnock.
Niches Abound
How would your business differ if you understood and actively communicated to your current and potential clients the benefits of:
- electronic forms creation;
- interactive and multimedia ebooks and documents;
- incorporating tagged and structured information into documents;
- "accessible" PDF file creation (making PDF files that address criteria of Section 508);
- electronic alternatives to paper-based workflows.
Granted "electronic alternatives to paper-based workflows" isn't as alluring a task as "creating a new brand," but neither was the prospect of snapping a line in Quark to those still working with a T-square.
"There is an opportunity for designers to fill the gap between the traditional visual graphic design work and the newer corporate information-based design work that is escalating today. This type of informational design is becoming more and more significant and may be a complementary skill to those already designing for page-layout," said Warnock.
Thankfully, there will always be a place for page layout, identity creation, Web development, and other traditional design jobs. But the most successful designers will be the ones who understand that, 124 years after Western Union's blunder, the communications business still waits for no one.
Finding Resources
If you're interested in learning more about the professional opportunities that PDF offers, try one of the many good books on the subject, including "Real World PDF with Adobe Acrobat 5" by our very own Anita Dennis and Tricia Gellman; "Adobe Acrobat 5 Master Class" by Pattie Belle Hastings, Bjorn Akelsen, and Sandee Cohen; and "Creating Adobe Acrobat Forms" by John Deubert. Any one of these books will get you started.
Read more by Eric J. Adams.











closed doors
I think the writer was trying to open doors for educators and Creative Professionals and this story is does that.
Strongly agree
My 2001 tax report stated thirty five percent of my total income was for PDF file preparation. I use Enfocus Pitsop, pdfInspektor by Callas and Adobe Acrobat. I fell into this line of specialization by accident and now can rely on two accounts that keep me busy.
In some situations the learning curve for me was higher than expected though.
PDF looks different depending on where you see it from.
The PDF has received attention after our penny pinching IT veterans saw an article on money saving, the PDF, and printing. I work in the Graphics & Printing dept. and quickly saw the money savings coming from fine printing equipment rather than the PDF. With many discussions and e-mails, I am still not sure they understand PDF is not a magic cure all. We can easily share color and files with PDF but we still must print on a press. We've no other color printing capability (aside from a desk jet). I have a love hate relationship with the PDF. I love that it makes the lay-folk happy, and hate that it's not what they think... and that varies wildly from person to person.
Seperating Design from Content
I read this article with interest and a wry smile. As Applications Development Manager at ControlP (and previously a designer myself), I have been working on our flagship product, edit2print, for some 18 months. As this is not a sales pitch, if you would like to have a look please visit www.controlp.co.uk.
In essence we have been developing an online tool that has been designed specifically to allow people with no design background to edit, proof and send a range of marketing collateral to print online. All design credentials e.g. layout, style etc are maintained. In other words a brand can be maintained whilst allowing the non-skilled end user to edit selected areas of content.
The product manipulates PDF files online and to the best of my belief the technology is unique - it takes PDF editing to a new level.
Yet we meet with much resistance from designers involved in the rollout to our corporate users. The product is perceived as a threat in much the same way that DTP was 15 years ago.
The next big thing (we're already in it!) in our business is going to be secure brand delivery to the brand user-base. Couple this with the ability to personalise on demand using the web as a conduit and it all adds up to quite a deal worth looking at.
And here's the crux: its an alluring proposition to the corporate customers commissioning design and print and one that they are jumping at.
Its just a shame that for once the process can't be driven from the design and print industries, who could embrace these opportunities and sell them (yes, revenue!) as a service now, rather than later, when the corporates start demanding it as a given.
Just a thought!
Wrong on virtually every point.
Single programs cannot be compared to the invention of the telephone.
Quark did not exist when designers were changing over from the use of the T-square. How many of you remember Ventura Publisher?
E-books? For text books, where content tends to change over time, the weight of paper pages is greater and your market still has good vision, e-books may be useful. Other than that one market, I see no use for e-books. In fact, this may be why I do not embrace .pdf files. As manuals are more and more frequently presented on CD, fewer and fewer of us are actually reading about the programs we use.
The lowest common denominator approach. Acrobat Reader users don't need any special skills and that is what is so appealing about .pdf files. Unfortunately this type of consumer-based software lowers the bar on design and production, quality and professionalism.
As a design professional, I do not want to get involved in:
"electronic forms creation"
"interactive and multimedia ebooks and documents"
"incorporating tagged and structured information into documents"
"'accessible' PDF file creation (making PDF files that address criteria of Section 508)"
"electronic alternatives to paper-based workflows."
Sounds more like a lazy writer's wish list. Maybe there will be a whole new industry based on "electronic printing" to do the things you are suggesting. But for now, this is engineering/secretarial/editorial work.
It is not just about money. No one becomes a Graphic Designer to get rich. To get truly rich, Microsoft rich, you have to invent a piece of software that everyone needs, make it an industry standard and then overcharge for it while constantly updating.
I have to use them too - but I hate .pdf files.