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The Merits of Uneven Leading

How-Tos: Written by James Felici on November 30, 2011

Just because your page-layout program says your leading is consistent doesn’t necessarily mean it looks that way. Here’s how to spot the problem and how to fix it.

Five Tips for Choosing the Best Webfonts

How-Tos: Written by Jason Cranford Teague on November 28, 2011

Learn how to evaluate typeface readability, legibility, optimization, character set, and weight and thickness variety when choosing fonts for a website. Plus, I'll throw in a bonus tip!

Get to Know InDesign's Glyphs Panel

How-Tos: Written by Sandee Cohen on November 16, 2011

Some people never even open InDesign's Glyphs panel, and that's a shame. It can reveal alternate characters in your typefaces; help you quickly select and enter unusual characters, such as currency or math symbols; and find and change glyphs instantly no matter how long your document is.

Spacing Out

How-Tos: Written by James Felici on November 2, 2011

Exaggerated spacing between characters may be eye-catching, but controlling it can be a tricky business. Here's how to do it in InDesign and QuarkXPress.

The Seven Lively Sins: Try These InDesign Type Effects

How-Tos: Written by Nigel French on October 24, 2011

Some people think it’s a sin to alter a typeface. But I say that, used with skill and discretion, InDesign's transparency effects can make your type more lively.

What You Need to Know About Webfonts: Part 2

How-Tos: Written by Jason Cranford Teague on October 10, 2011

Don't limit your web designs to the same five fonts everyone has on their systems. Part 1 of this series introduced you to @font-face basics. Part 2 will steer you through webfonts' legal complexities so you can get the best fonts for your sites while staying on the right side of the law.

Type Effects: The Ins and Outs of Inlines and Outlines

How-Tos: Written by James Felici on September 29, 2011

Adding rules to normally invisible character outlines can add novel--and historical--effects to your type. Here's how to do it in InDesign, QuarkXPress, and Illustrator.

What You Need to Know About Webfonts: Part 1

How-Tos: Written by Jason Cranford Teague on August 31, 2011

Are you still limiting text in your websites to Arial, Georgia, Times New Roman, Trebuchet, and Verdana? (And no, fonts in images don't count.) Learn how to use webfonts and your Web design horizons will open to a beautiful new world. In Part 1 of this series, you'll get a little history and an introduction to writing the @font-face rule so that all browsers display your font choices correctly.

Five Healthy Habits in InDesign

How-Tos: Written by Sandee Cohen on August 18, 2011

Adopt these InDesign habits and you'll work smarter and faster. We've made it easy by providing five free downloads that give you a running start on each habit.

Track Down Obscure Glyphs in InDesign

How-Tos: Written by David Blatner on July 11, 2011

There are many characters that don't appear on standard keyboards. Here's how to enter those hard-to-reach glyphs in Adobe InDesign.

Kerning: A Master Class

How-Tos: Written by James Felici on June 29, 2011

Five tips from the trenches for the devotee of hand-kerning. Take this advice and you'll have a visually harmonious page that will please the designer's eyes and be easier for the reader to comprehend.

Centering Lines of Type? Don't Trust Page-Layout Software

How-Tos: Written by James Felici on June 2, 2011

A print ad shows that centered lines don’t always look that way. Learn the source of the problem and the fix.

QuarkXPress Tips for Type, Pages, & Paths

How-Tos: Written by Jay J. Nelson on April 18, 2011

Learn how to replace fonts across a QuarkXPress document; give editable text a fuzzy edge; flip a Bezier path from top to bottom; and start a file with a spread.

The Joy of Ornaments

How-Tos: Written by James Felici on April 5, 2011

Create your own typographic ornaments and decorative rules to use in many designs.

Photoshop How-To: Really Hot Type

How-Tos: Written by Deke McClelland on February 3, 2011

Through the magic of Photoshop, make any text so smokin' you can almost see the heat rising off its molten letters. Bonus: You can go back and edit the type without burning your fingers.

Take Advantage of InDesign's Nesting Instinct

How-Tos: Written by James Felici on January 31, 2011

Using InDesign's nested styles isn’t only time-saving, it’s habit-forming.

Photoshop How-To: Turn Type Into Gold

How-Tos: Written by Deke McClelland on January 24, 2011

Go for the gold inside Photoshop! Follow along with this video how-to and you'll end up with metallic type that looks much more realistic than the results of many other tutorials, yet is easy and fast to create.

Turn Text to Ice in Photoshop

How-Tos: Written by Deke McClelland on January 10, 2011

Create your own typecicle with a combo of Photoshop's wind filter and some layer effects. Because it's done through smart objects, you can change the text at any point.

Shifty Behavior

How-Tos: Written by James Felici on November 1, 2010

Raising and lowering individual characters is the job of the baseline shift, an important part of your typographic toolbox with a thousand uses.

Dot Dot Dot . . .

How-Tos: Written by James Felici on September 2, 2010

Spellbinding . . . Subtle . . . Mind-Boggling! They're points of ellipsis, and here's how to make them pretty.

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