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Selectively Adjust Color in Photoshop

How-Tos: Written by Chad Neuman on April 23, 2008

To change the hue of only part of an image and not obscure details underneath the new color, try these techniques.

A Monstrous Photoshop Technique

How-Tos: Written by Russell Brown on March 31, 2008

Learn how to take images to the creative edge, and break all the rules in the process!

10 Quick Macro Shooting Tips

How-Tos: Written by Mason Resnick on March 17, 2008

Eliminate the variables, and you'll end up with nothing but great shots.

Improve Photos with One Powerful Tool

How-Tos: Written by Russell Brown on January 28, 2008

These Camera Raw luminosity techniques yield sophisticated results yet are simple to use. And there's no need to buy anything -- it comes with Photoshop!

Design How-To: Adding Photographic Texture to Type

How-Tos: Written by John McWade on May 21, 2004

Filling outline type with texture is one way to add character to display text. It's easy to make your own textures from any old photo in Photoshop. Here's how.

Out of Gamut: Calibrating Camera Raw in Photoshop CS

How-Tos: Written by Bruce Fraser on May 18, 2004

Pro photographers are digging into Photoshop CS, which includes powerful features for processing raw image data from digital cameras, thanks to its Camera Raw plug-in. Now Bruce Fraser digs deeper to devise a way to customize Camera Raw's color for digital cameras.

Photoshop How-To: Compositing Images with Color and Shadow

How-Tos: Written by Pamela Pfiffner John Lund on May 13, 2004

Combining multiple images into a single scene is one of the hallmarks of Photoshop, but doing it well requires solid technique. See how Photoshop master John Lund composites ordinary photos into unique statements on the human condition.

Photoshop How-To: Creating Color-Consistent Panoramas with Russell Brown

How-Tos: Written by Russell Brown Brie Gyncild on March 9, 2004

Stitching together multiple images into one seamless panorama is easier than ever, thanks to features such as PhotoMerge in Photoshop CS. But when lighting conditions vary from one frame to the next, it can be tricky to make those merged photos look like they belong to the same scene. Photoshop guru Russell Brown shows you what to do.

Design How-To: Cropping Photos for Impact

How-Tos: Written by John McWade on January 22, 2003

Even dull mug shots can become interesting portraits when bold cropping is applied. See how cropping can transform ordinary pictures into images with impact.

Digital Camera How-To: Shooting Snowy Scenes

How-Tos: Written by Stephen Dow on January 16, 2003

Who isn't captivated by the sight of a fresh snowfall? But capturing snowy scenes with your digital camera can be challenging. Here are some tips to remember when photographing your winter wonderland.

Bit by Bit: A Digital Fill-Flash Technique for Improving Images

How-Tos: Written by Brian P. Lawler on January 7, 2003

Even the most sophisticated digital cameras have trouble with capturing scenes that have strong shadows or harsh backlighting. Brian Lawler has developed a Photoshop technique that simulates the "fill-flash" feature found on many cameras. He's uses it to fix almost any over-exposed image -- now you can, too.

Digital Photography How-To: Making Web Galleries with iPhoto

How-Tos: Written by Ron Wilder on January 3, 2003

Putting a photo gallery on the Web -- whether it's your professional portfolio or a family album -- is a sure-fire way to share images and attract attention to them Applications such as iPhoto, which ships with Mac OS X, makes it easy to post a basic portfolio -- but the shareware program ImageRodeo gives it a professional sheen.

Photoshop How-To: Quick-and-Easy Collages

How-Tos: Written by Amy Courtright-Elmer on July 4, 2002

There are many ways to make composite images in Photoshop, but using layers is your best bet. Here's how to craft a digital collage with layers, layer masks, and other collage-specific effects.

Out of Gamut: Why Do High-Bit Editing?

How-Tos: Written by Bruce Fraser on January 22, 2001

Almost everyone who has a scanner does some high-bit editing whether they know it or not. Just about every scanner being made today captures at least 10 bits per channel, and when you use the scanner's software to make edits, it's operating on that high-bit data.