Scanning Around With Gene: Keep on Truckin’

I had to drive to Los Angeles last week to deliver some bad news of the sort best done in person, and I wanted to get there as quickly as possible. That meant a drive down Interstate Highway 5, the major north/south route for the West Coast, which I usually avoid due to the 18-wheeler trucks that ply it.
Like so many other once-unique aspects of American life, the trucking industry — including trucks, truck stops, and even truck drivers — is now generic. It seems like most truckers are associated with a national chain, and truck stops all carry the same gear and serve the same bad fast food.


So on my return I decided to look back to a time when trucks were a little more unique and the romance of truck driving was blossoming. Nearly all of the ads this week are from the late 1930s through to the mid 1940s and appeared in issues of Fortune Magazine. Click on any picture for a larger version.



The first thing you’ll notice in the ads is that trucks weren’t always as big as they are now. Not only did technology limit engine size and weight loads, but many states had early restrictions designed to save soft-gravel roads from damage.



Up until the early 1900s, most freight was hauled by rail to cities along rail lines and then distributed rather crudely by horse-drawn cart or smaller motor vehicles and local short-line railroads. But as America grew it was clear that inter-state roads, not rail lines, were necessary to bring goods to more remote areas.



By 1910 the automobile industry had developed enough oomph to power larger vehicles with transmissions, tires, and engines suited to hauling weightier goods. By 1920 there were more than a million trucks on American roads.



That surge resulted in government regulation and in 1935 Congress passed the Motor Carrier Act, which established standards for weight, size, and safety in the trucking industry. But there was still a confusing set of national and state rules, and most highways were state controlled.



It took the 1956 Federal-Aid Highway Act to pull together a national grid of highways and feeder-routes that allowed trucks to get larger and move faster. It was about the same time that the idea of container trucks took off, making it easier for goods to be shipped via rail or truck without being re-packed.



All of this led to much larger trucks and national trucking chains. Several popular truck manufacturers were started by shipping and logging companies that needed unique truck designs. Unlike the auto industry, which was designing cars for mass markets, truck companies took a more individual approach to design.


Shipping companies and truckers also tended to be more brand-loyal than car buyers, so manufacturers tried for highly stylized looks and colors. Since seeing a brand on the road was the best advertising possible, brand identity had to be more than just a name plate on the radiator.



Many truck brands are long gone, and the few that are left are owned by large conglomerates or multi-national car companies, such as Volvo and Mercedes. These days, sales are based less on individual style and more on large multi-vehicle orders by UPS, FedEx, and similar companies.


So much of the character of the trucking industry is gone, and the fast pace of commerce has eliminated the individual truck stops that once dotted the highways and byways of rural America. Truckers sleep in their cabs, watch DVD movies in their cabs, and talk more on cell phones than CB radios.

I don’t lament the changes in trucking — I’m sure they represent progress in efficiency and safety. But oh, how I would kill for Commander Gatti’s “Jungle Yacht” right about now. That and a CB radio (okay, make that an iPhone) and I’d be on the road again, for sure.

Gene Gable has spent a lifetime in publishing, editing and the graphic arts and is currently a technology consultant and writer. He has spoken at events around the world and has written extensively on graphic design, intellectual-property rights, and publishing production in books and for magazines such as Print, U&lc, ID, Macworld, Graphic Exchange, AGI, and The Seybold Report. Gene's interest in graphic design history and letterpress printing resulted in his popular columns "Heavy Metal Madness" and "Scanning Around with Gene" here on CreativePro.com.
  • Anonymous says:

    Would love to see a whole article dedicated to campers.

  • Anonymous says:

    Love these ads! What a great collection. Would love to have the diecast versions of some of these.

  • Anonymous says:

    The best collection I’ve ever seen of such classic old trucks is in Jerome, Arizona, where the abandoned pit copper mine terraces are a parking lot for many, many trucks. Most are in working order and date back to the early 1900s. The pictures are nice, Gene, but actually seeing these old beauties is a great experience.

  • Anonymous says:

    How in the world did the “Jungle Yacht” go around corners?

  • ajasys says:

    Absolutely wonderful, Gene.

    A nostalgic trip back to my younger days of yore, and a capsule reminder of how progress so often results in the loss of something along the way; something we miss, even when we appreciate the changes progress brings.

    “Sanity is a relative concept. If you don’t believe me, let me introduce my relatives.”

  • Anonymous says:

    :)

  • monta gael says:

    Gene,
    I enjoy all your columns, but as the daughter of a man who loved and drove trucks during various times in his life I really appreciated this look back.

    Here’s my dad, circa 1935, with his truck. He was 16.
    https://www.854w5th.com/assets/dad&oldtruck.jpg
    He started driving trucks at age 14 when he got tired of taking care of his step-fathers team of horses (which they used in their logging business).

    One other interesting look back at trucking – the 1940 George Raft & Humphrey Bogart movie “They Drive by Night” https://www.imdb.com/title/tt0033149/
    You’d never know from the poster that it was about truck drivers and trucking… https://www.imdb.com/media/rm1923058176/tt0033149

    Monta
    – – – – – – – – – – – – – – – – – – – – – – – –
    Monta Gael May
    https://montagael.blogspot.com
    https://www.854w5th.com

  • RobertSommers says:

    I really like the two seats *on top* of the Jungle Yacht.

  • marksimonson says:

    I guess I’m not the only one wondering how that thing turned. Maybe that’s why it’s a “jungle yacht” and not a “city yacht”–you could only go straight. No roads, no problem.

    Mark S.

  • marksimonson says:

    As you can see in this photo, the back end is a trailer, and it doesn’t actually fit the truck part as seamlessly as it appears in the ad illustration.

    Mark S.

  • Anonymous says:

    Gene, if we didn’t know you better we’d say you just made it up, painting this ad in your studio.

    This contraption belongs in every history of Surrealism, especially on account of the “extruded” look of the front end and the eyebrow motif of the “observation” windows. What could people have thought of this monster in “The Equatorial Heart of Darkest Aftrica”?

    Clyde McConnell
    Calgary

  • Anonymous says:

    Nice collection of vintage art., thanks for sharing it.
    The mack trucks and Reo trucks pic are awesome

  • Anonymous says:

    Making mole hills out of mountains. Just before my Dad joined the Air Force in 1956, he had a job as a truck driver for a small South Omaha (NE) oil company. The truck was a 1953 single rear axle REO with a small tanker trailer. Dad always says that the REO had NO POWER and had trouble on the hills of US 75 along the Missouri River to Kansas City. Don’t believe everything you read!

  • >