Scanning Around With Gene: Suntans, Slurpees and a Pink Cadillac

A recent sighting of a 1959 Cadillac Sedan de Ville sent me to the closet in search of Cadillac ads and the lost summer of my youth. The ads (which include images from other luxury car brands between 1952 and 1960) were easy to find. The summer was a bit more elusive.
It was 1970, and by then my family’s own 1959 Cadillac Sedan de Ville was 11 years old. The era of big fins was gone and the car was already a cliché. A monstrous hunk of faded-pink metal, its clear seat covers were yellow from too many years in the hot LA sun. Click on any image for a larger version. These ads are from 1959.


The Cadillac had more or less become my oldest sister’s car since we were, at that time, a three-car family. I was 14 that summer, and having an 18-year-old sister with a driver’s license and a car seemed like a good omen. I was too young to work but old enough to have some fun. The following ads are from 1960.


I had just graduated from eighth grade and was on my way to high school via a summer of going to the beach, riding my bike, and tooling around Southern California with my sister behind the wheel. Ads are from 1956.


I was in a good mood that summer, but my sister was most decidedly not. She had just spent a year away from home at college, and the prospect of coming back to the materialism of suburbia to drive a pink Cadillac was reprehensible. The military industrial complex was in full swing and the Vietnam War consumed her and many other young people. My father accused her of becoming one of “those filthy hippies.” These ads are from 1956.


This resulted in numerous and ongoing battles with my parents, who didn’t want any trouble, especially of the political or counter-culture kind. There was a lot of yelling between the trips to Hermosa Beach and the Slurpee runs. But my sister never let it dampen her enthusiasm for taking me to the places of summer. Ads are from 1958 and 1956.


We’d turn on the AM radio and listen to songs like Simon and Garfunkle’s Bridge Over Troubled Water or Lola by the Kinks. My sister hated the Carpenters, which was good enough for me. I hated them too. Ad is from 1958.

That summer my sister, whose name was Marguerite, had a somewhat unusual job. She worked at a local department store posing as a mannequin, wearing the fashions of the day. Ad is from 1957.

I think it was mid-July when she first got sick. I was going to the beach with my best friend the day we discovered that something might be seriously wrong. Specialists were consulted, blood was drawn, and many a brow was furrowed. Ad is from 1960.

Soon I was riding my bike to the hospital or traveling with my mother in the Buick. The Cadillac stayed in the garage, a silent reminder of things gone amiss. My Slurpee consumption dropped dramatically, and my parents made a desperate attempt to patch things up with my sister. Ad is from 1952.

The end of summer came, though I hardly remember, and my freshman year of high school began with a week of grueling orientation. It was during the second week that the phone rang loudly in the middle of the night. I would never see my sister again. Ads are from 1958 and 1953.


My dad sold the Cadillac shortly after that, for $200 to a used car dealer in town. I remember how odd it was to drive by and see it there in the lot, waiting for a new owner. It seemed like family, that car. Ad is from 1952.

But families change, and so do cars.
I’ll always think of my sister when I see a 1959 Cadillac Sedan de Ville and the Slurpees and suntan lotion of that fateful summer. It should have been so great.

Gene Gable has spent a lifetime in publishing, editing and the graphic arts and is currently a technology consultant and writer. He has spoken at events around the world and has written extensively on graphic design, intellectual-property rights, and publishing production in books and for magazines such as Print, U&lc, ID, Macworld, Graphic Exchange, AGI, and The Seybold Report. Gene's interest in graphic design history and letterpress printing resulted in his popular columns "Heavy Metal Madness" and "Scanning Around with Gene" here on CreativePro.com.
  • Anonymous says:

    I’ve written before to say this, but I’ll say it again, I love Scanning w/ Gene. This week is a good example of what I like. I love the design stuff he digs up, that’s really great. But the extra touch is the writing, his tone of voice and language. I love it. Very personal and touching this week. Thank you, PETER.

  • Anonymous says:

    Love the ads, but I am sorry about your sister. Your writing about her made me cry…

  • Anonymous says:

    Your piece this week really snuck up on me. (No fair making me cry at work.) I always love your pieces for their snapshots of the American psyche. Where better to see the values and culture captured at a particular moment in time and space? I’ve shared many of your pieces and scans with friends, family, and coworkers, and everyone immediately lapses into some reminiscence prompted by the image. Your associations of suntans, Slurpees, and Pink Cadillacs with your sister just shows how much this branding gets under our skin and becomes part of our everyday (and not so everyday) experience.

  • nlswarren says:

    I agree with “crying at work”! This one really snuck up on me too. Such a touching piece and a reminder that even in the midst of such seemingly innocent “normal” times, tragedy can strike. I am so sorry about your sister. That must have been such a hard time for you and your family. When that’s juxtaposed with the outright appeal to wealth and acquisitiveness of material things (such as the luxury cars), it makes a strong statement that really puts things into perspective. I do love all of the Scanning w/ Gene pieces and send many of them on to friends who are not designers. Thanks (again!) for the memories and keep putting together these wonderful articles, Gene!

  • Anonymous says:

    Gene… my daughter starts high school next week, so the story of the summer of pink Cadillac time with your sister is poignant and heartbreaking. I appreciate you weaving it into the ironic juxtaposition of these fantastic ads.

    I love the naive excess of the 50s and especially the cars. The copywriting is almost more bizarre and exuberant than the ads and the cars themselves. In fact, as crazy as these ads are, they pale beside the fact of the autos they display. I encourage everyone to visit a car show or museum to see these gilded dinosaurs up close.

    Bravo! Gene’s the best part of CPro…

  • icem says:

    Gene, I believe the best part of your column is how you weave your personal memories into sharing the images and some of the history around them. It is the personal touch that makes the column come to life. Thanks for sharing such touching memories with us so that these images can come to life as we read.

  • Anonymous says:

    Hey Gene, I really like your scan articles. This one particularly interesting – I too love ’50s cars – and moving. Thanks for that. It’s good to remember past times fondly, even those that hurt. All the best, Ray in Melbourne, Australia

  • Anonymous says:

    Great images and personal reflections, Gene. You and I grew up in the same era. I remember the retired Baptist Minister on our street had a 1957 DeSoto, cream over emerald green, that I drooled over. He traded it in for a 1964 Oldsmobile, my 10 year old heart was broken.

  • Anonymous says:

    What a sad story. Thank you for sharing your heart and your past with us. I am glad that you and your sister made some good memories together before she got so sick.

  • Anonymous says:

    That was really touching, Gene.

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