<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.creativepro.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>Typography </title>
 <link>http://www.creativepro.com</link>
 <description>Where Creatives Go to Know</description>
 <language>en</language>
<item>
 <title>TypeTalk: Supersize My Font Families, Please!</title>
 <link>http://www.creativepro.com/blog/typetalk-supersize-my-font-families-please</link>
 <description>Gone are the days when font choices were regular, italic, and bold. Today you can use super families of fonts that contain variations in width, weight, style, and more. Here are some tips for using super families.&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/blog/typetalk-supersize-my-font-families-please&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Fonts on Friday: Influenced by the &#039;70s</title>
 <link>http://www.creativepro.com/article/fonts-friday-influenced-70s</link>
 <description>Bookmania and Herbie&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/fonts-friday-influenced-70s&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Fonts on Friday: Crafty Handmade Fonts</title>
 <link>http://www.creativepro.com/article/fonts-friday-crafty-handmade-fonts</link>
 <description>Knit, Sown, Grown, Bent, and more!&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/fonts-friday-crafty-handmade-fonts&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Type How-To: A River Runs Through It</title>
 <link>http://www.creativepro.com/article/river-runs-through-it</link>
 <description>Rivers are eye-catching cracks in text formed by meandering trails of word spaces running from one line to the next. Here’s why they happen, how to avoid them, and how to fix them.
&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/river-runs-through-it&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Font Bureau&#039;s Readability Series Goes Retail</title>
 <link>http://www.creativepro.com/article/font-bureaus-readability-series-goes-retail</link>
 <description>Previously only available to private clients, now available to public&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/font-bureaus-readability-series-goes-retail&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Don Quixote, Wilco, Illustrator, Veer — and You</title>
 <link>http://www.creativepro.com/article/don-quixote-wilco-illustrator-veer-8212-and-you</link>
 <description>T-shirt design contest with all of the above will benefit non-profit.&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/don-quixote-wilco-illustrator-veer-8212-and-you&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Fonts on Friday: Food Fonts</title>
 <link>http://www.creativepro.com/article/fonts-friday-food-fonts</link>
 <description>It&#039;s the real thing: cookies, chocolate, candy, pasta, and soup!&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/fonts-friday-food-fonts&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>TypeTalk: Copy Editing and Proofreading</title>
 <link>http://www.creativepro.com/blog/typetalk-copy-editing-and-proofreading</link>
 <description>Copyediting and proofreading are important to the integrity of the production of any publishing project, yet the two are often confused. What&#039;s the difference between copy editing and proofreading? What does each task entail? And why do they matter?&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/blog/typetalk-copy-editing-and-proofreading&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Fonts on Friday: Nothing Fancy</title>
 <link>http://www.creativepro.com/article/fonts-friday-nothing-fancy</link>
 <description>Regular and Prosto&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/fonts-friday-nothing-fancy&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>InDesign Font Plug-in Lets You Try Before You Buy</title>
 <link>http://www.creativepro.com/article/indesign-font-plug-lets-you-try-you-buy</link>
 <description>FontGazer connects to Fonts.com database of 150,000+ fonts&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/indesign-font-plug-lets-you-try-you-buy&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>The State of E-book Typography</title>
 <link>http://www.creativepro.com/article/state-e-book-typography</link>
 <description>Whether on Kindle, iPad, Nook, or other LCD display, type suffers compared to print. So is good typography even possible for today’s electronic devices?  From the standpoint of the craft’s two underlying principles &amp;#8212; legibility and readability &amp;#8212; the answer is &quot;no.&quot;&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/state-e-book-typography&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>The &quot;Original&quot; Helvetica</title>
 <link>http://www.creativepro.com/article/original-helvetica</link>
 <description>Font Bureau releases Neue Haas Grotesk&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/original-helvetica&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Case Study: Designing a New Logo</title>
 <link>http://www.creativepro.com/article/case-study-designing-new-logo</link>
 <description>What goes into developing a new typographic logo? Where do you start? How do you know what works &amp;#8212; and what doesn&#039;t? Follow along as the company Extensis refreshes its branding with a new logotype.  &lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/case-study-designing-new-logo&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Scanning Around With Gene: How Does Your Garden Grow?</title>
 <link>http://www.creativepro.com/blog/scanning-around-gene-how-does-your-garden-grow</link>
 <description>At the turn of the 19th century, gardening was a very popular past time, as seen through these seed catalogs from the period. Plus, they were great examples of the type and lithography used at the time.&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/blog/scanning-around-gene-how-does-your-garden-grow&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>A Font &quot;Dating&quot; Game</title>
 <link>http://www.creativepro.com/article/font-dating-game</link>
 <description>Test your skills as a type matchmaker.&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/font-dating-game&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Fonts on Friday: Three indie typefaces to add to your collection</title>
 <link>http://www.creativepro.com/article/fonts-friday-three-indie-typefaces-add-your-collection</link>
 <description>Abraham Lincoln, L.C. Smith, and Malleable Grotesque&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/fonts-friday-three-indie-typefaces-add-your-collection&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Fonts on Friday: Three Indie Typefaces to Add to Your Collection</title>
 <link>http://www.creativepro.com/article/fonts-friday-three-indie-typefaces-add-your-collection-0</link>
 <description>Abraham Lincoln, L.C. Smith, and Malleable Grotesque&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/fonts-friday-three-indie-typefaces-add-your-collection-0&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>Scanning Around With Gene: Typographic Treasure from the Bottom of the Box</title>
 <link>http://www.creativepro.com/blog/scanning-around-gene-good-type-advice-bottom-box</link>
 <description>There they were, at the bottom of a poorly marked box: a series of &lt;em&gt;American Printer&lt;/em&gt; magazines from 1946, complete with a five-part primer on how to set good type. In this typographic treasure trove, we learn that many lessons are timeless. 
&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/blog/scanning-around-gene-good-type-advice-bottom-box&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>&quot;100 Ideas That Changed Graphic Design&quot;</title>
 <link>http://www.creativepro.com/article/100-ideas-changed-graphic-design</link>
 <description>New book chronicles design as bursts of creative thinking&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/article/100-ideas-changed-graphic-design&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
<item>
 <title>TypeTalk: Investigating Insouciant</title>
 <link>http://www.creativepro.com/blog/typetalk-investigating-insouciant</link>
 <description>On the surface, James Montalbano&#039;s Insouciant font is a charming, sprightly typeface that belies the technical rigor required to create it. Here Montalbano explains how this 10-weight family came to be and why upright script faces are challenging to design.&lt;p&gt;&lt;a href=&quot;http://www.creativepro.com/blog/typetalk-investigating-insouciant&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
</item>
</channel>
</rss>

